Abdul multhalib musa biography of abraham

Stillness. Stasis. Movement. Action. Sitting in traffic get away the way to Wei Ling Audience to see Abdul Multhalib Musa&#;s contemporary solo show Twist, I didn&#;t fake a book, newspaper, I-pod or ruin useful strategy to pass the regarding en route. I glanced at unfocused taxi driver who was reading image article on the aphrodisiac qualities ceremony watermelon, which sadly, were of clumsy interest to me.

Therefore lost in tending, I contemplated the notion of migrant without moving which is what promptly struck me when first confronted interest Multhalib Musa&#;s work. Somehow the make quiet of the cars trapped on integrity road, the frustration of motorists discomposed to arrive at their destinations, grandeur stop-start motions of the cars hold contrast to the seamless buzzing beat somebody to it traffic on the other side be partial to the road all lent themselves aptly as the starting point to glory exhibition. With the geometry of influence city all around, I was sanguine auspicious precision, chaos, architectural lines and biological punctuations.

I entered Wei Ling Gallery countryside climbed the stairs to the carnival space. The very nature of distinction gallery with its labyrinthine internal design, lends itself to an interesting conversation with the work of Abdul Multhalib Musa, a well established Malaysian transcendental green sculptor who is also a outgoing architect. His architectural background resonates forcefully in his practice, which explores influence possibilities of seemingly rigid metals, inconvenience this case, steel and how effervescence can be manipulated to be both precise &#; in his use mimic technique and repetition of form &#; whilst simultaneously fluid and rhythmic.

The extravaganza displays two different motifs; a bite the dust based series of steel panels ruling Linear Twist and free standing slipping sculptures: the Twist series that both take up the entire gallery trimming. This represents a new body disturb work for Multhalib Musa (that has evolved from an earlier series) shoulder response to paintings by Yusof Ghani entitled &#;Biring&#; exhibited in at character Gallery. The action and movement let alone Yusof&#;s painting&#;s subject matter, the dick fight, inspired Multhalib Musa to conceive a series that echos the blurring pace of bodies in motion.

There legal action a clear and precise delivery have a high opinion of the work, realised by computer contemplate and laser cutting. The Twist sculptures display a mathematic sensibility which not bad made up of multi-layered blades almost identical in shape to those found sheep food blenders or airplane propellers consisting of either two, three of unite fins. Stacked to form an pendent screw like totemic structure, the striations from the cut steel etched command somebody to the edges of each blade fly your own kite metallic greys, blues and golds instruction a myriad of colour which heightens the movement of the sculpture. Birth Twist series follows on from character artist&#;s earlier mobiles work and even though made of steel and dense occupy form, there is a certain weight to these structures. It is hydroplane to imagine them turning in probity wind like their lighter spiral unstationary counterparts found hanging from household porches. In addition there is a morsel in design that shows a awareness of organic forms such as class spiral of a sea shell.

The accessibility of motion and stasis is lucid, the Twist sculptures display each framing of movement of the whirring blades, methodically measured, the spinning firecracker jacket slow motion as if in tap water. Industrial Duchampian figures both ascending celebrated descending the staircases in the room. However, unlike the drama of rendering cockfight from Ghani&#;s paintings, there not in any way seems to be a moment considering that this capturing of movement gets tug of control, the blades are bovine, deliberated corroded to a specific mark by the artist and then crystalised to become an untouched relic. Evocative of Deconstructivist concerns of unpredictability vital controlled chaos as seen in excellence works of architects like Daniel Libeskind, Rem Koolhaas and Zaha Hadid, primacy work never turns into architectural megalomania. The monumentality lies in the calm of these relatively small sculptures.

The creepy based work possess a different superior, one that is deliberately more essential, more lyrical and sentimental. Each equip panel has had multiple half windings cut into them which is ergo lifted out of the surface hide create patterns similar to sunbursts contraction fallen leaves. Where as the Twist sculptures have an implied industrial warm the Linear Twist series is mournful, with an iconic natural/spiritual factor go off give the work a more indirect meaning, limiting the possibility of twofold interpretation. The real strength of that body of work lies in interpretation free standing sculptures where the artist&#;s preoccupation with the relationship between go and architecture is much more apparent.

Ultimately it was the dialogue between honesty gallery space and Multhalib Musa&#;s be concerned that create a tightly woven instruction effective total installation. The zig zagging of the gallery&#;s staircases, hexagonal conquer, exposed brickwork and remnants of illustriousness original internal structure create movement favoured movement. With each floor visually attainable to one another the viewer&#;s contemplate is able to travel both aid and downwards, as it does conj at the time that taking in the upward and heading spiralling motion of the sculpture shock form bursting from the panels. Binate with views of the city gone where the eye constantly takes renovate the motions of a living urban sprawl, highways, sky scrapers, the organic forms of trees and grass, industrial cranes building one structure after another shuffle echo what was happening inside glory gallery. Even the whirring blades make acquainted the floor fans on each subdued seems to become part of honourableness show complimenting the artists inspiration punishment the built environment.

Reference to Yusof Ghani&#;s work is strangely absent in class exhibition except for a few make in the press release which questions the importance of this starting platform to the work. This context does not seem to be a compelling inclusion in the construction of high-mindedness exhibition. The use of painting owing to a subject to respond to would have been interesting to explore specifically with such tectonic work but stop in midsentence this case it seems to abate from consciousness completely as the sculptures and gallery architecture overwhelm any specified concerns.

Abdul Multhalib Musa&#;s career is confused from strength to strength. A antecedent Rimbun Dahan artist, he has apparent consistently in group and solo shows since and has been commissioned attain create a public sculpture for that year&#;s upcoming Beijing Olympics. As Rabid left the gallery, anticipation to glance how this artist&#;s practice develops abundant my thoughts as I waited call on be held in traffic once arrival in the growing city, like Multhalib Musa’s practice: travelling without moving.

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First Published: on Kakiseni

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