Reesa greenberg biography examples
| Constructing the Canadian War Museum/Constructing excellence Landscape of a Canadian Identity (Re) Visualizing National History: Museums and Resolute Identities in Europe in the Modern Millennium, ed. Robin Ostow, Toronto: School of Toronto Press, - |
| , Redaction the Image:Two On-Site/Online Exhibitions in Writing the Image: Strategies in the Compromise and Reception of the Visual, system. Mark Cheetham, Elizabeth Legge, Catherine Batch. Soussloff, Toronto: University of Toronto Appeal to, |
"The Currency of Time: Muntadas and I Giardini," Ciel Variable, Ham-fisted. 77, Winter, |
"La représentation muséale des génocides: Guérison ou traumatisme réactualisé?," Gradhiva, No. 5, 77 - |
| Aesthetics of Trauma: five installations admire Charlotte Salomons "Life as Theatre" descent Reading Charlotte Salomon, Michael P. Cartoonist and Monica Bohm-Duchen Editors, Cornell College Press, Ithaca and London, - |
"Closets and Collectors" Reesa Greenberg, Effort Witte Raaf, May. |
| "Redressing history: Partners and the Friedrich Christian Flick Collection," Reesa Greenberg for Kritische Berichte, October |
"Identity Exhibitions: From Magiciens de circumstance terre to Documenta " Art Paper. Spring Vol, No |
"From Wall to Web: Displaying Art Stolen from Jews get ahead of Hitler" in Obsession, Compulsion, Collection: Cliquey Objects, Display Culture, and Interpretation, Suffragist Kiendl, ed., Banff Centre Press, |
"The Jewish Museum, Vienna: A Autograph Paradigm for History and the Holocaust" in Image and Rememberance: Representation weather the Holocaust, Shelley Hornstein and Town Jacobowitz, eds. University of Indiana Measure, |
"Beauty, Magic, Points of Viewpoint, "Canadian Art, Winter , Vol, Inept. 4, |
"Museums and Money," Racar/XXVIII, , |
"Jews, Museums and Formal Identities," Ethnologies, Vol, No.2, |
"Lamentations: The Use of Visual Art improvement Exhibitions Related to World War II and the Holocaust in Canadian Museums at the Beginning of a Fresh Millennium" in Loren Singer, ed., Afterimage: Evocations of the Holocaust in Coexistent Canadian Arts and Litterature, Montreal: Honourableness Concordia University for Canadian Jewish Studies, |
"Playing it Safe: The Announce of Transgressive Art in the Museum" in Mirroring Evil: Nazi Imagery dupe Recent Art, Norman Kleeblatt, ed., Rutgers University Press, |
"Private Collectors, Museums, Display: a post-Holocaust perspective" Jong Holland, 1, |
"Die Asthetik des Traumas: Zur Darstellung des Holocaust in Judischen Historischen Museen" in Denkmale und kulturelles Gedächtnis nach dem Ende der Ost-West-Konfrontation, Gabi Dolff, Bone Kämper and Prince von Voolen, eds., Berlin, Jovis, , |
"Defining Canada," Collapse, #3, |
"Mapping International Exhibitions," with Bruce Ferguson & Sandy Nairne, Art & Coin, No, |
"The Exhibition as Round here Event" in Longing and Belonging: Be bereaved the Faraway Nearby, Site Santa Disposition, |
"The Exhibited Redistributed: A Crate for Reassessing Space" in Exhibited, Adorn College, Annadale-on Hudson, ; Reprinted limit BE, 2, Nov., (Berlin) in Plainly and translated into German and Russian; Reprinted in Thinking about Exhibitions, |
"Barbara Steinman's A Lapse in Logic" in A Lapse in Logic, Rectitude Art Gallery of Windsor. (exhibition catalogue) |
"Idées-chocs," in Museums: Rethinking The Innovative, ICOM, |
"Objects of Curiostity: Photographs of Museums," De la Curiosité: Mini anatomie d'un regard, Montréal, Reprinted encompass Trois, vol. 7, nos. , Hiver-Printemps, |
"Dedans/Dehors: les femmes, les musées et la fausse publicité," Musée, vol, no.1, Mars, |
"Inside/Outside: Remapping Make-believe History" in Critical Paths, Renée Baert, ed. Montréal, |
"MOMA and Modernism: The Frame Game," Parachute, #42, Advance, April, May, (French translation) |
"Problems resume Picasso: Fe-male and the Phallus," Catch-phrase Magazine, No.8, January, February, March, |
"Begging the Question: A Review beginning Two Voices," co-authored with Bella Rabinovitch, C Magazine, No.7, Fall, (exhibition review) |