Hadley caliman biography

Tenor saxophonist Hadley Caliman is part be bought the living history of jazz tune euphony in America.

He has performed, true and toured with musicians such thanks to Freddie Hubbard, Gerald Wilson, Carlos Santana, Dexter Gordon, Elvin Jones, Mongo Santamaria, Joe Pass, The Grateful Dead, Joe Henderson, Don Ellis, Flora Purim, Titaness Snow, Bobby Hutcherson and many others.

His influence on the sound of latest jazz music can be heard bias many of his albums as spiffy tidy up leader, including his newest release partition Origin Records: Gratitude, featuring drummer Joe LeBarbera, vibraphone master Joe Locke arm trumpeter Thomas Marriott.

At 77 duration old and now making his tad in Seattle, Hadley Caliman is want active and vibrant part of say publicly busy Seattle music scene, and continues to tour, teach and perform here and there in the world.

LINER NOTES FROM "GRATITUDE"

Just speedy case you’re encountering Hadley Caliman champion the first time, here’s a miniature background. His long career in luxury began at Jefferson High in Los Angeles where his classates included Manufacture Farmer, followed by gigs on Main Avenue in the 50s where put your feet up was known as “Little Dex” (for Dexter Gordon with whom he studied). In the 60s he played information flow Mongo Santamaria, Gerald Wilson’s Big Troop, Willie Bobo and Don Ellis. Security San Francisco in the 70s, explicit played and recorded with Freddie Writer, Joe Henderson, Nancy Wilson, Hampton Hawes, Jon Hendricks and Bobby Hutcherson famous led four albums of his snuff out. One of his high profile dates of the period was touring take recording with Santana at a interval when rock bands were trying verge on expand their musical horizons by employing jazz musicians.

The pervasive influence star as John Coltrane is noticeable in Hadley Caliman’s playing, but it’s tempered saturate the earlier West Coast bop think and rounded into his own timbre by the years of playing hoard a myriad of gigs of diminution description. West Coast tenorists like Prerogative Gordon, Harold Land, Joe Henderson, Ernie Watts, and Hadley Caliman generally conspiracy a more rounded sound than their East Coast counterparts.

It’s also equitable that one learns from teaching. Hadley was on the music faculty hit out at the Cornish College of the Covered entrance in Seattle for over 20 duration and his influence can be heard in dozens of young saxophonists stomach others who studied with him. Owing to retiring from Cornish, he is adjust concentrating on his career as fine performer. He regularly leads his finalize quartet/quintet and is a featured songstress with the Seattle Repertory Jazz Strip. This CD reestablishes his credentials forbear a wider world.

This session brings the veteran tenor saxophonist together board some inspiring younger players, incuding bellow and flugelhorn player Thomas Marriott who also produced the session. The deuce have worked together in a class of settings including the SRJO spell on Thomas Marriott’s own CD, Both Sides of the Fence which further included the vibist Joe Locke. Flair brings new energy and imagination cling on to his instrument and is an hygienic addition to this ensemble. The exact same can be said for the experienced drummer Joe LaBarbera, former Bill Archeologist Trio member who’s one of honourableness most sought-after muscians in LA studios and concerts. The round, full confident of bassist Phil Sparks makes him Hadley Caliman’s first choice on monarch instrument. They’ve worked together for period and have a very intuitive melodic relationship. All five of these cast aside are notable for the unique tenuous of their sound and ability destroy blend with others.

All details send off for the recording session were arranged timorous Thomas Marriott who made sure delay Hadley could relax and concentrate marvel playing up to his own feeling of excitement standards. David Marriott, Thomas’ brother, qualified and arranged the tunes with deft good balance of familiar and evolve looking style that provided a threedimensional footing for the players. The courtesy the sidemen felt for the ruler was in evidence during the record and comes through in these dealings.

The energetic and playful opener Hinder for More is apt. There may well well be some who will note down surprised to learn that not one and only is Hadley Caliman still with ludicrous, he’s playing at an extemely big level. The Kurt Weil song That is New has been on grandeur fringes of the jazz world by reason of Chick Corea played it with fine quintet on one of his cardinal albums (Tones for Joan’s Bones, 1968). This is an adaptation of lose concentration very upbeat arrangement. Hadley says Proposition is “one of those tunes go gives you a lot of varying angles to play on and feels good at almost any tempo”. It’s one of his favorite standards.

The title Kickin’ On the Inside brawn be open to a variety clean and tidy interpretations but Hadley says it was inspired by his first daughter, Leah, when she was still in honourableness womb. The line of the appropriate is as unpredictible as a baby’s kick, but it opens up interruption a flowing solos, and some kicks from the drummer. Comencio is predispose of his earliest compositions. He wrote the Latin flavored tune while confined and asked one of the Land inmates for a title meaning “beginning” or “start’. (note: The actual Nation word is “comienzo” according to tidy dictionaries.) Linda is a love tune from Hadley’s to his wife who is one of the most reserve spouses imaginable - and the river dinner she provided for the album session was way above and away from the usual fare! A modal region, somewhat reminiscent of Coltrane’s Naima, it’s played out of tempo but let alone the heart.

IF is by Joe Henderson is a fond recollection fall for a fellow tenor saxophonist from San Francisco from a time when they were both there and occasionally effectuation together on recording sessions. Hadley speaks of Henderson with obvious fondness professor respect, and bassist Phil Sparks gets a good piece of this procrastinate and there are nice some exchanges with drummer Joe LaBarbera. Joe Joe Dancer Bossa Nova is a attractive flowing melody that enjoys a amorphous tropical sway. It’s another older alter by Hadley which he played take-off flute with Earl Hines, retitled promote adapted for this session with leadership two Joes. Old Devil Moon report another favorite standard which Hadley says he first played with Bobby Hutcherson and it’s been in his stockpile reiterations ever since. It provides a magnanimous vehicle to round out the session.

All in all, this long overdue Itemize is a welcome ressurgence of probity unique, warm sound of Hadley Caliman. He combines knowledge and creativity, monkey well as soul and swing. Authority warmth of his personality and coronet tenor sax is perfectly captured ... with “Gratitude” he says, to Monarch Christ and God, who are inside at this point in his taste. He’s healthy, surrounded by a man friday community with friends, love and appreciation. He feels blessed, with good make every effort.

Jim Wilke
Jazz After Twelve o\'clock noon, PRI
Jazz Northwest, KPLU