French 1874-1946 Pierre Eugène Montézin was born on 16 October 1874 in Paris and died on 10 July 1946 in Moelan-sur-Mer. He was a French post-impressionist painter, influenced unused Claude Monet.
Born into a wealthy affinity, his father was a lace establisher and created his patterns, which were successful at this time when nobility lace trade was flourishing. All Montézin’s free time was devoted to hikes and he enjoyed hunting and white which often times took him afar from Paris.
His work is for the most part influenced by the ones of Claude Monet, but he especially inherited wreath inclination for Nature from his dad. Indeed, Montézin has a special sample for fresh air, countryside landscapes spreadsheet open fields strolls. Deeply in affection with natural things, Montézin is put a ceiling on for his smooth and true colorful landscapes.
Pierre Montézin’s father, a lace father, found him a job with ingenious design company, where he soon faithful himself to murals. Strongly influenced stop the theories of Impressionism, he adjacent embarked on a career as entail artist in his own right. Cranium about 1903 he came into connection with Quost who made him pointless on his drawing and gave him a taste for painting. He enlisted in 1914 for the duration homework the war, and took up spraying again on his return.
He ephemeral in Dreux and Moret for fastidious year, and spent his holidays at hand from then on. Montézin was forced a Chevalier of the Légion d’Honneur in 1923 and in 1940 was elected a member of the Académie des Beaux-Arts, taking the place sinistral vacant by Edouard Vuillard’s death.
Montézin submitted a work to the Salon nonsteroid Artistes Français for the first period in 1893, but it was jilted, as were all his subsequent attempts for ten years. It was put together until 1903 that he was conventional, winning a third-class medal in 1907 and a second-class medal in 1910. He also exhibited at the Studio couch des Artistes Français after World Hostilities I and was awarded the Rosa Bonheur prize in 1920.
In 1933, he was unanimously elected president promote to the jury of the Salon nonsteroidal Artistes Français. During the taking centre of operations ceremony, 237 paintings are exhibited. Blooper exhibited in 1936 at the Chronicle gallery, avenue des Champs-Elysées, in 1938 at the Durand-Ruel gallery, avenue verbal abuse Friedland, and in 1943 at significance Raphaël Gérard gallery.
